I’ve been following the blog PermanentStyle, and what I’m probably most interested in is the effect of the clothes he made in various stores. The latest issue talks about tailoring house Ferdinando Caraceni.
The clothes attracted me deeply, so handsome!
This double-breasted button gives people the feeling of being overbearing and chic in a relaxed state, and it is not shy.
Suddenly I feel that the abduction shoulders are really comfortable. This kind of power suit/jacket can be worn with jeans.
The hanging state makes people feel that the clothes are long, which is not a bad thing at all. It is no problem to pass the hip completely, and it is very handsome.
Then I looked down and saw shoes. Um ..
As mentioned in the article, these shoes are made by Yohei Fukuda.
Although Yohei Fukuda is a Japanese shoemakers, the shoes can be considered as authentic West End of London style, but are these shoes really beautiful on his feet?
On the left foot, we can see the elongated toe, which has no aesthetic feeling at all. But look at the right foot, this elongation becomes harmonious by a flat chisel.
If you look at the shoes alone, especially from most angles, they still look good, but I really don’t think this toe cap has any aesthetic feeling.
In addition, it is blind waist, and you can see that the arch of the foot is completely put away, which makes the foot look particularly well wrapped. The whole gives a sense of sculpture. But under this suit, I don’t think this feature is beautiful.
Such exquisite and sculptural shoes, the only matching clothes I can think of are the former court clothes and tights.
Don’t mention that this jacket is Italian, even English clothes don’t match this shoe.
In fact, I don’t believe that West End of London’s shoes are such a useless thing.
For example, in an interview with William Efe-Laborde, he said that the first essence of West End of London’s shoes is to match the scene. If nothing matches, this pair of shoes is not qualified for bespoke.
So I sometimes wonder if there are so many customized elements, some of which are actually out of date and inappropriate, mainly because of the current wave of leisure clothing. When clothes become more and more relaxed, shoes can’t be held up like this. Even if it is a delicate Oxford, it is necessary to keep low profile.
Finally, shoes are also proportional, such as shoe exhibition, waist and heel. The length ratio of these three is an aesthetic point. Is this pair of Yohei Fukuda beautiful? I don’t think so. I just think this shoe infinitely emphasizes the arch of the waist. Arch and beauty are not directly related.
Looking at shoes in the future, I think that in addition to posing and full degrees, the upper foot is also an important point.
As for matching, that is a further matter. Because maybe the shoes that can’t be established under this collocation, changing the collocation can suddenly bring life back to some clothes.